A retrospective featuring recently restored films by Wim Wenders, "a must-see for cinephiles of all stripes” (Rodrigo Perez, Indiewire).
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One of the most critically acclaimed and adored music documentaries of the past twenty years, Buena Vista Social Club is a love letter to Cuba, its music, its people, and its soul.
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Wenders and famed Japanese fashion designer Yohji Yamamoto meet and muse together in this thoughtful essay film "about fashion, transience, and identity” (Janet Maslin).
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Two angels haunt the streets and skies of Berlin, listening in on the dreams and sorrows of its residents, in this gothic, poetic masterpiece, inspired by Rilke.
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Wenders’s tribute to Japanese director Yasujiro Ozu takes us across Japan to meet frequent Ozu collaborators and explore contemporary life there. Chris Marker and Werner Herzog also appear.
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Solveig Dommartin, William Hurt, Jeanne Moreau, Chishu Ryu, Rüdiger Vogler, Max von Sydow, and Tom Waits lend their talents to Wenders’s wildly ambitious, science-fiction epic. Digitally restored director’s cut.
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A wanderer (Harry Dean Stanton) heads in search of his long-lost son and wife (Nastassja Kinski) in Wenders’s magisterial deconstruction of family, masculinity, and the American West.
An intimate portrait of the legendary filmmaker Nicholas Ray—and of cinema itself—made while Ray was dying of cancer.
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Wenders’s “film about filmmaking” moves from the rocky Portuguese coast to Hollywood, following those trapped in a doomed Hollywood project. Features Samuel Fuller, Roger Corman, Robert Kramer, and Warhol superstar Viva.
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A married woman living in suburban Paris leaves her husband and begins a more solitary life in this rigorously poetic, Chantal Akerman-influenced work from writer/director Peter Handke and producer Wim Wenders.
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Neo-noir by way of European arthouse, Wenders’s first “commercial” film adapts Patricia Highsmith’s Ripley’s Game to tell the tale of a dying family man (Bruno Ganz) suckered into the seedy world of an American mobster (Dennis Hopper).
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A projector repairman and a depressed young man begin a road trip across the East and West German borders in Wender’s major landmark of the New German Cinema.
Free admission
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Program change: we are unable to screen all of the previously announced short films, so this will be a free screening of three shorts.
This program of Wenders’s extremely rare early short films showcase a nascent talent already infused with the themes and moods, from American music to modern despair, that would echo across a career.
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Kicked out of a game and bored of the rules, a goalie begins a journey across contemporary West Germany. "My favorite postwar German film . . . a quiet poem of various desolations" (Stanley Kauffmann).
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A hopeful young writer travels through Germany’s palaces and projects in Wenders’s road film, shot in painterly long takes. Nastassja Kinski’s debut. Loosely based on Goethe’s Wilhelm Meister’s Apprenticeship.
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A wandering journalist finds himself stuck with someone else’s daughter in this road movie across the United States and Germany, “a fine, tightly controlled, intelligent, and ultimately touching film” (NY Times).