Recent releases, restored classics, and special guests grace the Barbro Osher Theater.
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Clint Eastwood’s Western opus chronicles a retired, reformed gunman roped back into action by a much younger (and dumber) man. “A tense, hard-edged, superbly dramatic yarn” (Todd McCarthy, Variety).
This hymn to the ordinary typewriter is also a portrait of the countless artists, writers, and collectors (including Tom Hanks and Sam Shepard) who remain steadfast in their love and loyalty. “Pure typewriter heaven” (Don DeLillo).
Forever young-at-heart filmmaker (and French New Wave legend) Agnès Varda teams up with hipster artist JR on a road trip across rural France. A first-rate achievement in Varda’s brilliant career.
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Joan Crawford won an Oscar for her driven performance in this noir melodrama that exposed the nightmare side of upward mobility and domestic virtue.
Peter Bratt’s intimate yet universal documentary profiles one of the US’s most dedicated community organizers, Dolores Huerta (cofounder of the United Farm Workers), and reveals the raw, personal stakes involved in committing one’s life to social justice.
Film to Table dinner follows the November 4 screening
Back by popular demand! This new documentary offers an overview of the Ottoman Empire and its decline, the essential backstory of our world today.
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“Set in a vividly mod Swinging London, Antonioni’s first English-language film [is] a cryptic murder mystery . . . a landmark of the decade’s observational outrage and Pop disposability” (Time Out).
Veterans Day screening cosponsored by KQED and the Cal Veteran Services Center at UC Berkeley
This documentary follows two friends as they walk from Wisconsin to California to bring attention to the plight of veterans of the Afghan and Iraq wars. “Deepen[s] the picture of what troubles many veterans” (New York Times).
Michael Collins, Tom Voss, Anthony Anderson, Marty Syjuco, and Rita Nakashima Brock in Person
BAMPFA celebrates Homecoming Weekend with this perennial favorite in which college president Groucho and the other Marx Brothers wreak havoc on higher education.
Shot over a period of years both before and after Haiti’s deadly 2010 earthquake, this vibrant documentary testifies to the role of music in creating community and sustaining hope under the most difficult of circumstances.
Owsley Brown in Person (September 15 screening only)
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Bay Area Theatrical Premiere!
The director of The Bicycle Thief shows off his comic side in this hilarious sendup of Italy’s early 1960s economic miracle, starring the great Italian comic Alberto Sordi and finally released theatrically in the US after over fifty years.
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A writer, a scientist, and their “stalker” guide venture into a mysterious wasteland known as the Zone. “A dense, complex, often contradictory, and endlessly pliable allegory about human consciousness” (Slant).
BAMPFA Collection Print
Agnès Varda’s strikingly colorful, lyrical film examines a love triangle within a circular structure.
“An entertaining inside look at the obituary writers of The New York Times. . . . [This] doc makes a strong case for the well-wrought obituary as something of an art form” (Film Journal International).
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Duvivier’s long-unseen Simenon adaptation, starring Michel Simon and Viviane Romance, is an “allegory of wartime collaborationism and the cruel madness of rumor, fear and spite” (Village Voice).
As part of Canyon Cinema’s fiftieth-anniversary celebrations, Gehr makes a rare visit to the Bay Area to present a selection of his recent digital films: Picture Taking, Autumn, Transport, and A Commuter’s Life (What a Life!).
“Stunning research and archive footage conjures Revolutionary Russia and the courage of artists in the avant-garde” (State Magazine).
A taped journal that theologian John Hull (1935–2015) kept after the onset of blindness in 1980 forms the basis of this “beautiful, accessible, and thoughtful work of art” (The Guardian).
Combining a key early work, a recent documentary, and an in-person discussion, this special evening provides an unparalleled introduction to one of the world’s leading contemporary artists. Featuring No Sex Last Night and the documentary Sophie Calle, Untitled.
A “splendidly graceful and quietly magical documentary about the multifaceted feline population of Istanbul” (Variety).
Fellini’s free-spirited portrait of Rimini in the 1930s, when fascism was a fact of life, shines in this new print. “A film of exhilarating beauty” (New York Times).
This biography-cum-scientific adventure is a fascinating, engaging voyage into the human brain and the work of UCB professor emeritus Marian Diamond, one of the founders of modern neuroscience.
Co-directors Catherine Ryan and Gary Weimberg will introduce the 4/22 screening, and introduce and lead a discussion following the 4/28 screening.
This strikingly visual document of artist Gerhard Richter’s creative process is “a must-see for followers of contemporary painting” (Hollywood Reporter).
Chaplin takes on that other famous guy with a small black moustache. “A time capsule, a timeless document and a profound work of conscience. . . . See it with a crowd” (San Francisco Chronicle).
New 4K Digital Restoration
One of Hollywood’s most ambitious musicals, featuring the top jazz orchestras and dancers of the day, is brought back to life in this dazzling restoration from the original two-color Technicolor negative.
New 35mm Print
Touted as the first all–Chinese American feature film, Wang’s irreverent, refreshingly authentic movie follows two cab drivers searching S.F.’s Chinatown for an elusive flim-flam man. “A small, whimsical treasure of a film” (Roger Ebert). With Wang’s short Dim Sum Take-Out.
Wayne Wang in person
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Marlon Brando's first and only directorial effort, a Freudian Western loosely based on the legend of Billy the Kid. "Mean, moody, and magnificent" (Time Out).
New 4K Restoration
One of the best films on revolution ever made, Pontecorvo’s agit-prop classic concerns Algeria’s struggle for independence against its French overlords. “A masterpiece! Surely the most harrowing political epic ever!” (New Yorker).
East Bay Premiere
A personal portrait of Cairo during the fall of the Mubarak regime, and a snapshot of the Arab Spring. “A city requiem rather than a city symphony” (Variety).
New 4K Restoration
Juzo Itami’s hit Japanese satire of samurai films and Westerns, one of the best-loved foodie films ever made. “Gleefully sensual and inventive” (Film Comment).