Leave it to Godard to create a spy/terrorist “hero” who’d rather moon over a woman’s eyes (“were they Velazquez-gray, or Renoir-gray?”) than fight. Disillusioned and in love with himself above all, young Bruno is a French spy (or counterspy, or something) in neutral Geneva during the French-Algerian War, blithely taking hit orders from his superiors. Meeting the gray-eyed Veronica turns his mind further away from politics (she is Anna Karina, after all, in her first Godard role), but her involvement in an Algerian revolutionary group quickly has him running not just from the torturers on the “other side,” but also from his own supposed allies.