Explore Federico Fellini’s work in depth with this lecture/screening series complementing our Fellini retrospective.
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Digital Restoration
Amarcord also screens Thursday, January 23, and Saturday, March 21 (without lecture).
Fellini’s free-spirited portrait of Rimini in the 1930s, when fascism was a fact of life. “As full of tales as Scheherazade, some romantic, some slapstick, some elegiacal, some bawdy, some mysterious . . . a film of exhilarating beauty” (New York Times).
Lecture by David Thomson
All film screenings and public programs at BAMPFA have been temporarily canceled. Learn more
Digital Restoration
The Clowns also screens Sunday, April 5 (without lecture).
Fellini’s tribute to the world of the clown is—like so much of his supposedly nonfiction work—part documentary, part autobiography, and suffused with fantasy. “Fellini turns the world into his circus” (Time).
Lecture by Russell Merritt
All film screenings and public programs at BAMPFA have been temporarily canceled. Learn more
A jaded director (Marcello Mastroianni) fantasizes on his next great film—or his next sexual conquest—in Fellini’s metafictional masterpiece, “probably the most potent movie about filmmaking” (The Guardian).
Lecture by Russell Merritt
World Premiere!
Canadian auteur Guy Maddin joins us via video conference to present the world premiere of The Rabbit Hunters, a new short commissioned by BAMPFA in honor of Federico Fellini’s centenary. Starring Isabella Rossellini, it’s equal parts Felliniesque and Maddinesque. Followed by Fellini: A Director’s Notebook.
Guy Maddin Via Video Conference
This program also screens Friday, April 3 (without lecture).
Three Fellini shorts originally released as parts of omnibus films: The Marriage Agency (from the neorealist anthology Love in the City), The Temptations of Doctor Antonio (from the Decameron-inspired sex farce Boccaccio ’70), and Toby Dammit (from the Poe collection Spirits of the Dead).
Lecture by Russell Merritt
La strada also screens Saturday, February 1 (without lecture).
Fellini’s muse, Giulietta Masina, modeled her timeless character Gelsomina after Charlie Chaplin’s Little Tramp. She stars with a brutish Anthony Quinn in this classic that Martin Scorsese has called “the cornerstone of Fellini’s work.”
Lecture by Russell Merritt
I vitelloni also screens Saturday, January 25 (without lecture).
Fellini paired with the great Italian comic everyman Alberto Sordi for this look at the not-so-young sons of the middle class, (barely) growing up in the provincial town of Rimini. “One of the screen’s great portrayals of the hell-raising and malaise of young men” (Chicago Tribune).
Lecture by Russell Merritt
Digital Restoration
The White Sheik also screens Thursday, January 16 (without lecture).
Provincial newlyweds arriving in Rome get sidetracked by the wife’s obsession with a fumetto photo-comic star in Fellini’s solo directorial debut. “A funny, sardonic, and clever satire on popular heroes and ordinary people’s illusions” (Chicago Reader).
Lecture by Russell Merritt
Variety Lights also screens Sunday, January 19 (without lecture).
Following a troupe of small-time vaudevillians led by an incorrigible dreamer (Peppino De Filippo) and his fiancée (Giulietta Masina), this was Fellini’s first look at the passions and dreams of eccentrics living beyond bourgeois society—but not his last.
Lecture by Russell Merritt
Digital Restoration
Open City also screens Saturday, February 22 (without lecture).
A group of women and children (led by a charismatic Anna Magnani) try to shelter resistance forces from the Nazis. Rossellini’s moving, inspiring, and agonizing neorealist classic was cowritten by Fellini.
Lecture by Russell Merritt