This installment in our yearlong centennial tribute to Ingmar Bergman highlights diverse facets of his remarkable cinematic output, from his documentaries about the island of Fårö to his international productions of the 1970s.
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BAMPFA Student Committee Pick
A spare, pellucid work featuring three actors (Erland Josephson, Ingrid Thulin, and Lena Olin) in one set, After the Rehearsal is a far-reaching meditation on life, theater, and the connections between the two.
With Special Guest Katinka Faragó
Digital Restoration
David Carradine stars as a Jewish American circus artist caught among the whores, alcoholics, and rising fascists of decadent 1923 Berlin in Bergman’s jaw-droppingly atypical period piece, an unapologetically gothic Grand Guignol.
Digital Restoration
One of Bergman’s most daring experiments, this bleakly explicit tale of a feuding couple was controversial on its release, but the director said “it belongs to my best films.”
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Bergman’s first film in English stars Bibi Andersson as a seemingly happy Swedish housewife embroiled in an affair with a visiting American intellectual hothead (Elliott Gould). Once ignored, the film has been reappraised as “a major entry in the director’s canon” (Geoff Andrews).
One of Bergman’s most stylized and political films, this Kafkaesque chamber drama tracks three actors accused of taking part in a pornographic performance. A bold, blistering comment on artistic censorship.
An alcoholic’s life is changed through love and an encounter with the Grim Reaper in this film of uncanny beauty and inventiveness, which Ingmar Bergman called “the keystone of my cinematographic world.”
Judith Rosenberg on Piano
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BAMPFA Student Committee Pick
Looking for trouble, the devil’s minions are sent to the home of a naïve parson whose daughter is about to be married in Bergman’s bizarre fantasy, which underlines that “marriage is hell’s pièce de résistance.”
Digital Restoration
Bergman’s follow-up documentary about his beloved Fårö offers a more optimistic portrayal of the islanders, as well as fascinating glimpses of community rituals and age-old traditions.
Digital Restoration
Bergman’s first foray into nonfiction filmmaking is a portrait of the remote Baltic island of Fårö, which had become his refuge and the location for a number of his films.